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Sir Edwin Landseer Oil Painting Reproductions
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Sir Edwin Landseer Dignity and Impudence oil


Sir Edwin Landseer
Dignity and Impudence
Painting ID::  2350
Sir Edwin Landseer1.jpg 		Dignity and Impudence
1839 Tate Gallery, London
   
   
     
Sir Edwin Landseer Wild Cattle at Chillingham oil


Sir Edwin Landseer
Wild Cattle at Chillingham
Painting ID::  2351
Sir Edwin Landseer2.jpg 		Wild Cattle at Chillingham
1867 Laing Art Gallery, Newcastle
   
   
     
Sir Edwin Landseer Wild Cattle at Chillingham (nn03) oil


Sir Edwin Landseer
Wild Cattle at Chillingham (nn03)
Painting ID::  23345
new8/Sir Edwin Landseer-824284.jpg 		Wild Cattle at Chillingham (nn03)
1867 Oil on canvas 228 x 156 cm 89 3/4 x 61 1/2 in Laing Art Gallery Newcastle Upon Tyne
   
   
     
Sir Edwin Landseer Eos (mk25) oil


Sir Edwin Landseer
Eos (mk25)
Painting ID::  24213
new8/Sir Edwin Landseer-438897.jpg 		Eos (mk25)
1841
   
   
     
Sir Edwin Landseer Isaac Van Amburgh and his Animals (mk25) oil


Sir Edwin Landseer
Isaac Van Amburgh and his Animals (mk25)
Painting ID::  24214
new8/Sir Edwin Landseer-938636.jpg 		Isaac Van Amburgh and his Animals (mk25)
1839
   
   
     
Sir Edwin Landseer The Sanctuary (mk25) oil


Sir Edwin Landseer
The Sanctuary (mk25)
Painting ID::  24215
new8/Sir Edwin Landseer-927758.jpg 		The Sanctuary (mk25)
1842
   
   
     
Sir Edwin Landseer Queen Victoria at Osborne House (mk25) oil


Sir Edwin Landseer
Queen Victoria at Osborne House (mk25)
Painting ID::  24249
new8/Sir Edwin Landseer-957653.jpg 		Queen Victoria at Osborne House (mk25)
1865-7
   
   
     
Sir Edwin Landseer Windsor Castle in Modern Times (mk25) oil


Sir Edwin Landseer
Windsor Castle in Modern Times (mk25)
Painting ID::  24252
new8/Sir Edwin Landseer-234334.jpg 		Windsor Castle in Modern Times (mk25)
1841-5
   
   
     
Sir Edwin Landseer Royal Sports on Hill and Loch (mk25 oil


Sir Edwin Landseer
Royal Sports on Hill and Loch (mk25
Painting ID::  24276
new8/Sir Edwin Landseer-965332.jpg 		Royal Sports on Hill and Loch (mk25
1850
   
   
     
Sir Edwin Landseer Queen Victoria on Horseback (mk25 oil


Sir Edwin Landseer
Queen Victoria on Horseback (mk25
Painting ID::  24293
new8/Sir Edwin Landseer-466833.jpg 		Queen Victoria on Horseback (mk25
c 1840
   
   
     
Sir Edwin Landseer Queen Victoria and Prince Albert at the Bal Costume of 12 May 1842 (mk25) oil


Sir Edwin Landseer
Queen Victoria and Prince Albert at the Bal Costume of 12 May 1842 (mk25)
Painting ID::  24305
new8/Sir Edwin Landseer-835884.jpg 		Queen Victoria and Prince Albert at the Bal Costume of 12 May 1842 (mk25)
1842-6
   
   
     
Sir Edwin Landseer The Hunting of Chevy Chase oil


Sir Edwin Landseer
The Hunting of Chevy Chase
Painting ID::  28155
new3/Sir Edwin Landseer-594943.jpg 		The Hunting of Chevy Chase
1825-6 Oil on canvas 143 x 170.8 cm (56 3/8 x 67 1/4in) Birmingham City Museum and Art Gallery (mk63)
   
   
     
Sir Edwin Landseer The Stonebreaker and his Daughter oil


Sir Edwin Landseer
The Stonebreaker and his Daughter
Painting ID::  28156
new3/Sir Edwin Landseer-566269.jpg 		The Stonebreaker and his Daughter
1830 Oil on wood 45/7 x 58.4cm (18 x 23 in) Victoria and Albert Museum London (mk63)
   
   
     
Sir Edwin Landseer Queen Victoria and Prince Albert at the Bal Costume of 12 may 1842 oil


Sir Edwin Landseer
Queen Victoria and Prince Albert at the Bal Costume of 12 may 1842
Painting ID::  28185
new3/Sir Edwin Landseer-872345.jpg 		Queen Victoria and Prince Albert at the Bal Costume of 12 may 1842
1844 oil on canvas 142.6 x 111.8 cm (56 x 44in)Royal Collection (mk63)
   
   
     
Sir Edwin Landseer Lady Blessinghtam's Dog oil


Sir Edwin Landseer
Lady Blessinghtam's Dog
Painting ID::  30941
new4/Sir Edwin Landseer-667272.jpg 		Lady Blessinghtam's Dog
mk68 1832
   
   
     
Sir Edwin Landseer Monarch of The Glen oil


Sir Edwin Landseer
Monarch of The Glen
Painting ID::  31340
new4/Sir Edwin Landseer-475425.jpg 		Monarch of The Glen
nn07 24 x 26 in
   
   
     
Sir Edwin Landseer Death of the Wild Bull oil


Sir Edwin Landseer
Death of the Wild Bull
Painting ID::  31341
new4/Sir Edwin Landseer-489949.jpg 		Death of the Wild Bull
nn07 1833-1836. Oil on canvas. Tennant Holdings Ltd., UK.
   
   
     
Sir Edwin Landseer Monarch of the Glen oil


Sir Edwin Landseer
Monarch of the Glen
Painting ID::  32810
new9/Sir Edwin Landseer-337873.jpg 		Monarch of the Glen
mk81 1851
   
   
     
Sir Edwin Landseer A Majestic Gathering oil


Sir Edwin Landseer
A Majestic Gathering
Painting ID::  37596
new11/Sir Edwin Landseer-386478.jpg 		A Majestic Gathering
mk127 23x23
   
   
     
Sir Edwin Landseer The Arab Tent oil


Sir Edwin Landseer
The Arab Tent
Painting ID::  44065
new16/Sir Edwin Landseer-869594.jpg 		The Arab Tent
1866 Oil on canvas, 154 x 226 cm
   
   
     
Sir Edwin Landseer Arab stable ion oil


Sir Edwin Landseer
Arab stable ion
Painting ID::  45843
new17/Sir Edwin Landseer-395964.jpg 		Arab stable ion
mk178 1824 oils on linen 69.6x90.2cm
   
   
     
Sir Edwin Landseer The Arab Tent oil


Sir Edwin Landseer
The Arab Tent
Painting ID::  45949
new17/Sir Edwin Landseer-266897.jpg 		The Arab Tent
mk178 1866 oils on linen 153.6x226.4cm
   
   
     
Sir Edwin Landseer lion a newfoundland dog oil


Sir Edwin Landseer
lion a newfoundland dog
Painting ID::  56195
new20/Sir Edwin Landseer-682794.jpg 		lion a newfoundland dog
1824,oil on canvas ,59x77 in,149.8x195.6 cm,victoria and albert museum,london,uk
   
   
     
Sir Edwin Landseer monarch of the glen oil


Sir Edwin Landseer
monarch of the glen
Painting ID::  56232
new20/Sir Edwin Landseer-623556.jpg 		monarch of the glen
mk247 1851,oil on canvas,64.5x66.5 in,163.8x169 cm,john dewar and sons ltd,london,uk
   
   
     
Sir Edwin Landseer Isaac van Amburgh and his Animals oil


Sir Edwin Landseer
Isaac van Amburgh and his Animals
Painting ID::  62814
new21/Sir Edwin Landseer-249937.jpg 		Isaac van Amburgh and his Animals
1839 Oil on canvas Royal Collection, Windsor Van Amburgh reclines in the cage surrounded by a tiger, a lion, a lioness and two leopards. He wears a coat of mail, presumably not as a form of protection but perhaps, judging by the footwear, as a form of costume (part Roman and part medieval). There are scratches on the skin of his right forearm and on his neck. The sheen on the coats of the animals reveals Landseer's superb technique, as in the balance between the underpaint and the highlight on the lioness, or the spots visible beneath the top layer of paint on the two leopards. Artist: LANDSEER, Sir Edwin Henry Title: Isaac van Amburgh and his Animals (detail) , painting Date: 1801-1850 English : genre
   
   
     
Sir Edwin Landseer Attachment oil


Sir Edwin Landseer
Attachment
Painting ID::  71563
new23/Sir Edwin Landseer-885977.jpg 		Attachment
Medium Oil on canvas Dimensions 39 7/8 x 32 7/8 in. (101.3 x 83.5 cm)
   
   
     
Sir Edwin Landseer Windsor Castle in Modern Times oil


Sir Edwin Landseer
Windsor Castle in Modern Times
Painting ID::  83033
new24/Sir Edwin Landseer-439769.jpg 		Windsor Castle in Modern Times
1840-1843 Medium Oil on canvas Dimensions 113.3 x 144.5 cm (44 9/16 x 56 7/8 in.) cyf
   
   
     
Sir Edwin Landseer The Old Shepherd's Chief Mourner oil


Sir Edwin Landseer
The Old Shepherd's Chief Mourner
Painting ID::  85204
new25/Sir Edwin Landseer-787664.jpg 		The Old Shepherd's Chief Mourner
oil on canvas Date 1837(1837) cyf
   
   
     
Sir Edwin Landseer The Cat's Paw oil


Sir Edwin Landseer
The Cat's Paw
Painting ID::  85750
new25/Sir Edwin Landseer-369875.jpg 		The Cat's Paw
Date 1824 cyf
   
   
     
Sir Edwin Landseer The Cats Paw oil


Sir Edwin Landseer
The Cats Paw
Painting ID::  96545
new26/Sir Edwin Landseer-374456.jpg 		The Cats Paw
1824(1824) Source Unknown cyf
   
   
     
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     Sir Edwin Landseer
     1803-1874 British Sir Edwin Landseer Galleries Landseer was something of a child prodigy whose artistic talents were recognized early on; he studied under several artists, including his father John Landseer, an engraver, and Benjamin Robert Haydon, the well-known and controversial history painter who encouraged the young Landseer to perform dissections in order to fully understand animal musculature and skeletal structure. At the age of just 13, in 1815, Landseer exhibited works at the Royal Academy. He was elected an Associate of the Royal Academy at the age of 24, and an Academician of the Royal Academy five years later in 1831. He was knighted in 1850, and although elected President of the Royal Academy in 1866 he declined the invitation. Landseer was a notable figure in 19th century British art, and his works can be found in Tate Britain, the Victoria and Albert Museum, Kenwood House and the Wallace Collection in London. He also collaborated with fellow painter Frederick Richard Lee. Windsor Castle in Modern Times (1841-1845) Queen Victoria and her family at Windsor Castle.Landseer's popularity in Victorian Britain was considerable. He was widely regarded as one of the foremost animal painters of his time, and reproductions of his works were commonly found in middle-class homes. Yet his appeal crossed class boundaries, for Landseer was quite popular with the British aristocracy as well, including Queen Victoria, who commissioned numerous portraits of her family (and pets) from the artist. Landseer was particularly associated with Scotland and the Scottish Highlands, which provided the subjects (both human and animal) for many of his important paintings, including his early successes The Hunting of Chevy Chase (1825-1826) and An Illicit Whiskey Still in the Highlands (1826-1829), and his more mature achievements such as the majestic stag study Monarch of the Glen (1851) and Rent Day in the Wilderness (1855-1868). Saved (1856) Landseer's paintings of dogs were highly popular among all classes of society.So popular and influential were Landseer's paintings of dogs in the service of humanity that the name Landseer came to be the official name for the variety of Newfoundland dog that, rather than being black or mostly black, features a mix of both black and white; it was this variety Landseer popularized in his paintings celebrating Newfoundlands as water rescue dogs, most notably Off to the Rescue (1827), A Distinguished Member of the Humane Society (1838), and Saved (1856), which combines Victorian constructions of childhood with the appealing idea of noble animals devoted to humankind ?? a devotion indicated, in Saved, by the fact the dog has rescued the child without any apparent human direction or intervention. In his late 30s Landseer suffered what is now believed to be a substantial nervous breakdown, and for the rest of his life was troubled by recurring bouts of melancholy, hypchondria, and depression, often aggravated by alcohol and drug use (Ormond, Monarch 125). In the last few years of his life Landseer's mental stability was problematic, and at the request of his family he was declared insane in July 1872. Landseer's death on 1 October 1873 was widely marked in England: shops and houses lowered their blinds, flags flew at half-staff, his bronze lions at the base of Nelson's column were hung with wreaths, and large crowds lined the streets to watch his funeral cortege pass (Ormond, Monarch 135). Landseer was buried in St Paul's Cathedral, London .

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